The song finds the DFA delivering what they do best: funky-ass bass grooves, four on the floor beats, and space-y keys. But, the fact that the gunshots from the original version are here replaced with random Roland drum machine effects is somewhat fitting for a group that makes no effort in hiding its love for the positive vibe that disco was founded upon and that Ecstasy produces.
Granted, it's not as good as the original. But, the point of a remix is to bring something new to a song, and I think that the DFA put a joyous spin on a difficult track to edit.

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